Explore the relationship of two people as they go from being “just acquaintances” to “a genuine couple” — Yoon Jin Ah, a coffee shop supervisor in her 30s, and Seo Joon Hee, a designer at a video game company who has just returned from working abroad.

A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.

「something in the air」の舞台は郊外のロッジ。ライブツアーのため宿泊しているバンドメンバーたちを取材するため、地元でZINEを作っている少女たちがやって来るが、彼女らの憧れやバンドに対するイメージは裏切られていく。

Banyu, a boy with autism spectrum disorder, starts a beautiful friendship with Radin and Kinara. When they all grown up, a tragic event occurred, putting their friendship on the edge of destruction.

Maxwell Slaughter is a kind, heavyset guy who has reached the rank of master sergeant in the army. Admired by handsome young Sgt. Eustis Clay, Slaughter forms a close bond with his peer. Clay hopes to convince Slaughter to join him in a business venture outside of the service, but, in the meantime, he introduces the older officer to the beautiful young Bobby Jo Pepperdine, inadvertently creating trouble for both men.

Photographed through the windshield of a Vancouver city bus and edited according to the rhythms of the bus’ windshield wiper, the film transforms the linear narrative of the bus ride into a temporal construction that can be described as cubist. The effect of the cutting strategy on the actual temporal organization of the film is as remarkable as its effect on our sense of time.

Beom Soo, a sophomore in college, is from a wealthy family. He believes marriage is the holiest institution in the world. He is mistaken as a pervert on the subway one day and is publicly humiliated by Paeng Yeong Mi. He later finds out that she is his blind date. The two end up getting married but reality is harsh for these two newlyweds. Meanwhile, Beom Soo's friend, Casanova Kim searches for true love.

Photographed through the windshield of a Vancouver city bus and edited according to the rhythms of the bus’ windshield wiper, the film transforms the linear narrative of the bus ride into a temporal construction that can be described as cubist. The effect of the cutting strategy on the actual temporal organization of the film is as remarkable as its effect on our sense of time.

A group of strangers discovers the dangers lurking in a secluded retreat, and face their wildest nightmares as they struggle to survive and solve the mystery behind a stolen jewel and a dangerous spellbook.

暂无剧情简介